A piano and bench elegantly upholstered with delicate and detailed crochet covers that excite a kinetic, psychedelic effect. Unlike the crocheted doilies that once decorated and protected the furniture here, Joana Vasconcelos’ intervention lends this tradition a whole new dimension. The crochet becomes a second skin, a protective interface that in no way hinders the functionality of the piano and bench. The use of such a traditionally female technique to protect, adorn and totally sheath a musical instrument asserts this encounter between tradition and an at once popular and erudite contemporaneity.
Interested in Natural history?
Get updates with your personalized Culture Weekly
You are all set!
Your first Culture Weekly will arrive this week.