Sam Walsh wrote of this painting that he aimed to adapt techniques reminiscent of 1950s American gestural paintings and ‘Cornball’ (his term for the St Ives artists in Britain) to suit the fashionable Pop art style of the younger generation. Walsh paid homage to the artist Francis Bacon (1909-1992), whose work he genuinely admired, by jokily turning him into a kind of pop star or model. Walsh was introduced to Bacon by George Melly, the musician, writer and raconteur.