Pine Islands (sculpture)

Betty Woodman (1930–2018) is recognized as one of the most important voices in postwar American art, having synthesized sculpture, painting, and ceramics in a highly original and immediately recognizable formal vocabulary. Her embodied readings of a diversity of ancient and modern art historical traditions, as well as her fearless pursuits of visual pleasure, posited her as a boldly contemporary figure whose work proves revelatory in discussions about gender, modernism, craft, architecture, and domesticity. She began as a precocious studio potter in the 1950s; over the subsequent decades, she created a radical new vision of how ceramics could function in a contemporary art context. Beginning in the early 2000s, she took on the legacies of Modernist masters like Matisse and Picasso in increasingly direct fashion, incorporating canvas in multimedia works and rendering interior scenes with the breadth and drama of epic history painting.