This pichhvai simhasan (or throne cloth) depicts the Shrinathji temple complex at Nathdwara. Composed from a series of courtyards (including various shrines, palaces and service rooms) within a bastioned boundary wall and with one main gate at the heart of the town, the complex follows the architectural tradition of a large Rajasthani mansion or haveli, rather than a traditional North Indian Hindu temple. It is hence often referred to as the Nathdwara Haveli by devotees.
The haveli plan was a popular subject for both paintings and pichhvais, particularly in demand by visiting pilgrims to take back as mementos of their visit and did not otherwise serve any particular religious purpose. This plan, like most such plans, depicts the occurrence of the Annakuta Festival, the day after Diwali, which is the most important festival for the Vallabha sect.Various courtyards are in use. Whilst mounds of food are presented to Shrinathji and the sat swarupas in the inner sanctum or Nijmandir (depicted with its characteristic tiled roof and orange and yellow flags), devotees and cows crowd in the Govardhana Chowk where the image of Navanitapriyaji presides over Govardhana puja. Devotees flock towards the White Court or Dholi Patiya to gain access to the inner shrines. Unlike most other haveli plans, the depiction of the haveli and its associated townscape is shown in a wider pilgrimage landscape setting of the Vraj country, amidst holy streams, shrines, villages and palace complexes.