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Portrait of Cardinal Guillaume Dubois

Hyacinthe Rigaud1723

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

With his luxurious, flamboyant dress—a voluminous wrap of scarlet silk topped by a short fur cape—the subject of Hyacinthe Rigaud’s portrait was clearly a man of consequence. Guillaume Dubois gained the favor of Louis XIV as tutor to his nephew, Philippe Charles, Duke of Orléans, and served as chief minister under Louis’s successors, the regent Duke of Orléans and Louis’s great-grandson, Louis XV. Dubois was appointed a Cardinal in the Catholic Church in 1721, a lofty aspiration at least partly motivated by political ambition: the title gave him the ability to remove political adversaries with impunity. Dubois holds a letter with the words <em>Au Roy</em> (to the king); this portrait was painted in the same year the young Louis XV ascended to the throne.

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  • Title: Portrait of Cardinal Guillaume Dubois
  • Creator: Hyacinthe Rigaud (French, 1659–1743)
  • Date Created: 1723
  • Physical Dimensions: Framed: 180.5 x 148 x 15 cm (71 1/16 x 58 1/4 x 5 7/8 in.); Unframed: 146.7 x 113.7 cm (57 3/4 x 44 3/4 in.)
  • Provenance: The Cleveland Museum of Art, Cleveland, Ohio, (Wildenstein & Co., New York, NY, sold to the Cleveland Museum of Art), (Hôtel Drouot, sale, Dec. 10, 1956, lot Q, sold to Wildenstein & Co.)1, Edouard Kann, Berlin1, (Duveen Brothers, Paris, sold to Edouard Kann)1, Rodolphe Kann, Paris, collection purchased by the Duveen Brothers, (Possibly P. & D. Colnaghi, London) 1, (Sale, Christie, Manson & Woods, London, May 21, 1892, no. 68, possibly sold to P. & D. Colnaghi)1, George Francis Wyndham, 4th Earl of Egremont [1786 – 1845], Mlle. Violat (heiress of Cardinal Dubois), Chateau de Villemenon, near Brie-Comte-Robert 1
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1967.17
  • Medium: oil on canvas
  • Inscriptions: signed on base of clock: fait par Hyacinthus Rigaud, 1723
  • Department: European Painting and Sculpture
  • Culture: France, 18th century
  • Credit Line: John L. Severance Fund
  • Collection: P - French 18th Century
  • Accession Number: 1967.17
The Cleveland Museum of Art

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