In 1796 the Danish sculptor Bertel Thorvaldsen travelled to Rome in order to admire the much dreamt classical antiquities of the city and establish himself as a prominent member of the cultural élite. In 1803 he started a relationship with members of the famous Roman family of bankers Torlonia. Two years later, the duke Giovanni Maria gave him financial support for the execution of a monumental sculpture that participated in a competition with a work by Antonio Canova. As a consequence of Thorvaldsen’s work defeat, at the death of the duke, the family asked the Danish artist to realise Giovanni Maria’s portrait as a compensation for his failure against the Venetian master.