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Prime Minister Poul Schlüter

Niels Strøbek1995

The Danish Parliament

The Danish Parliament
Copenhagen K, Denmark

Modern art has gained a firm foothold at Christiansborg in recent years. It is not a matter of chance that artists began to take certain liberties from the 1960s onwards. The invention of TV meant that the public became increasingly familiar with politicians so it was no longer so important to portray them in a realistic manner. At the same time, artists have been experimenting with new forms of expression, and a living state institution and a workplace such as Christiansborg must naturally reflect these developments.
However, most recently, a more discreet and realistic idiom has once again emerged. Parliament's Art Committee now helps politicians to choose portraitists. Nevertheless, it could be asked whether things did not go too far on one occasion when former Prime Minister Anders Fogh Rasmussen (Liberal Party) chose the pilot, concept artist and former squatter activist, Simone Aaberg Kærn, to paint his portrait. It is a kitschy, rather ineptly painted picture that makes Fogh Rasmussen look as though he is wearing a mask due to the absence of detail in the depiction of his physiognomy.
Among the most successful portraits of prime ministers from modern times that should be pointed out are Martin Kaalund-Jørgensen’s portrait of Thorvald Stauning, Mogens Kølkjær’s portrait of Viggo Kampmann, Johannes Hofmeister's portrait of J.O. Krag, Niels Strøbek's portrait of Poul Schlüter and Michael Kvium's portrait of Poul Nyrup Rasmussen. Author: Lisbeth Bonde, M.A and art critic. Photographer: Torben Eskerod.

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  • Title: Prime Minister Poul Schlüter
  • Creator: Niels Strøbek
  • Creator Lifespan: 1944
  • Creator Nationality: Danish
  • Creator Gender: Male
  • Date: 1995
  • Physical Dimensions: w84 x h126 cm
  • Original Title: Statsminister Poul Schlüter (1982 - 1993)
  • Danish Description: Niels Strøbeks (f. 1944) temmelig store maleri af den konservative politiker Poul Schlüter, der var statsminister i 1982-93, blev afsløret i 1999. Kunstudvalget har siden da opereret med vejledende standardmål for at undgå for store afvigelser i formaterne, da portrætterne jo skal hænge ved siden af hinanden. Poul Schlüter fremstår her som en magtfuld statsmand, der kigger ned på betragteren med et både vidende og gennemborende blik, der formildes af hans smil – et smil der imidlertid samtidig virker lidt polisk og ræveagtigt. Bag ham ses den blå himmel med små lammeskyer i venstre billeddel, mens den højre del er mørk og synes at varsle et uvejr. Portrættet er således udspændt mellem lys og mørke – ”solskin og skyer de følges og ad”, som Thomas Kingo skriver i salmen ’Sorrig og glæde’ – eller mellem idyl og drama. Strøbek fremstiller Schlüter som en sammensat personlighed med stor pondus. Hans kontrafej er tvetydigt med en antydningsvis diabolsk side. Hans hår svøber sig som en skinnende sølvpels om hans hoved. Den ulastelige, sorte jakke omslutter og beskytter ham, mens den lyseblå skjorte danner kontrast og lyser ansigtet op. Det brede revers kløves af et blomstret silkeslips i rødt og blåt. Schlüter fremstår som en både stærk og kompleks personlighed og en elegant og charmerende verdensmand. Som statsminister kom han da også til at gøre al skepsis til skamme. Han var en langt dygtigere politiker, end man havde forventet, bl.a. fordi han, som den taktiker og pragmatiker han var, prioriterede de borgerlige partiers samarbejdspolitik højere end sit eget partis ideologiske standpunkter. Han mente, ”ideologier er noget bras". Forfatter: Lisbeth Bonde, cand.mag. og kunstkritiker. Fotograf: Torben Eskerod.
  • Provenance: © Niels Strøbek/billedkunst.dk
  • Type: Oil on canvas
The Danish Parliament

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