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The conflict with other individuals and with their surroundings guides several of the interventions filmed, photographed or performed by Patrícia Araujo (Fortaleza, 1987). In some actions, it is a vulnerable and passive body, which suffers when merges with the landscape. In others, it tries to compete with the immeasurable or seeks to sustain a fragile balance when there are many eventualities that can overthrow it. In Abalo (Shock), the artist presents a constellation of records that unfold her Wild Answer project, in which she fixes street posters with names of geological accidents on the walls of some establishments in Fortaleza or São Paulo that are about to be destroyed. In this unprecedented installation, the shock that can be compared to the real estate dynamics is also associated with the tests of sharp approximation and abrupt shock in performance actions and archival materials.