The random and infinite colour series within the spot paintings is integral to the works. Hirst explains that, “mathematically, with the spot paintings, I probably discovered the most fundamentally important thing in any kind of art. Which is the harmony of where colour can exist on its own, interacting with other colours in a perfect format.”[3] Any problems he had previously had with colour, Hirst claims, were removed by the perfect arrangement of complimentary, yet never repeated, colours in the spots.
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