Re-creation Re-creation

The concrete facade of Krakow's Exhibition Pavilion, today's Bunkier Sztuki, designed by Antoni Hajdecki and unveiled in 1965 is one of the epitomes of the brutalist tendency in Polish architecture of the second half of the 20th century. Both the facade and the building itself designed by Krystyna Tołłoczko-Różyska continue to inspire visual artists, who allude to the context of the place. Among them are Elwira Wojtunik and Popesz Csaba Láng known as Elektro Moon Vision, who subjected the structure of the facade to artistic Re-creation by means of interactive mapping EMV. The interference was presented on the wall inside the gallery. The organic and dynamic element of the facade is set against the functional space of the interior. The concrete forms are subject to reconfiguration and move as a result of the viewers' interference, which is to emphasise the fact that the building is a living structure defined by the users and undergoing constant reinterpretation. Re-creation is intended to imply that the future of this historic building depends on the viewers and inhabitants.

Popesz Csaba Láng, Elwira Wojtunik [Elektro Moon Vision] is a Hungarian Polish artistic duo of digital artists who combine creative coding with light art. They realize their projects in various forms, such as visual shows, audiovisual performances, interactive installations, mapping and scenographic projections in theatre and opera performances. The artists are the founders of Share:Krakow, an open platform associating new media artists. Since 2012 they've curated and organised the Patchlab digital art festival.

Interactive mapping EMV presented on the wall inside the gallery (close-up)