In a disused building, where layers of memory meld into a history, Related Multihedrons appears as an instrument of spatial (re)activation. Occupying an area of circulation inside the building, the work is a three-dimensional tangle of kite skeletons—made out of bamboo, fibreglass and fluorescent cotton string—, forming a rhizome that orchestrates a play of binomials: micro/macro, inside/outside, full/empty, geometric/organic. The works of Marcelo Jácome are a direct and immediate interpretation of the world around us. He uses collage and vibrantly-coloured objects to produce installations that question the various ways things can occupy space. He also works with the relationship between lines and curves, internal and external spaces, public and private, the sacred and the profane.