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Retable of the chapel of Our Lady of Piety

Bento da Fonseca de Azevedo1708 - 1711

Museu de São Roque

Museu de São Roque
Lisboa, Portugal

The composition of this retable is a variation of Portuguese Baroque, typical of the Portuguese retables in the first half of the 18th century. The design of the retable revolves around a central representation of the “Calvary”, which is surrounded by a “lace” of angels in polychrome wood. The bas-relief background made of plaster with tempera paint is an allusion to the Jerusalem walls. A 17th-century sculpture of the Pietà in gilt and polychrome wood completes the tribune. The central part of the retable is flanked by two pairs of twisted pseudo-solomonic columns highly decorated with grapes, birds and baby angels. The carved wood here is different from that in other chapels because of its exuberant multicoloured quality.

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  • Title: Retable of the chapel of Our Lady of Piety
  • Creator Lifespan: Born in late 16th century - 18th century
  • Creator Nationality: Portuguese
  • Creator Gender: Male
  • Creator Death Place: Lisbon
  • Creator Birth Place: Lisbon
  • Date: 1708 - 1711
  • Provenance: Museu de São Roque/Santa Casa da Misericórdia de Lisboa
  • Type: Gilt and polychrome woodwork
  • Rights: Museu de São Roque/Santa Casa da Misericórdia de Lisboa
  • External Link: Museu de São Roque/Santa Casa da Misericórdia de Lisboa
  • Medium: Carved wood and plaster
  • Woodcarver: Bento da Fonseca de Azevedo
  • Manufactured: Lisbon, Portugal
  • Commission: The construction and decoration of this chapel was overseen by the Brotherhood of Our Lady of Piety. Begun in September 1686, it was finished only in 1711, as attested by an inscription found there. This chapel is also the burial place of its founder, Martim Gonçalves da Câmara (1539-1613), a royal official of King Sebastian of Portugal.
Museu de São Roque

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