Loading

Royal Round Tent Made for Muhammad Shah

1834-48

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Royal tents were potent symbols of authority, wealth, and power throughout the greater Middle East. Rulers owned thousands of tents. They were used for shelter, shade, and innumerable functions in tent compounds that were essential for imperial ceremonies, travel, and military campaigns. Distinguished by size with elaborately decorated interior walls and ceilings, tents could be as large as castles. Opulent tents were also presented as imperial gifts.

Tents are only known through documents before 1600. For example, in Baghdad in 809, Caliph Harun al-Rashid owned 4,000 ceremonial tents and 150,000 camping tents that were stored in the imperial Abbasid treasury. An astonishing variety and quantity of tents were housed in the royal Fatimid tent storeroom in Cairo in 1068-69, including "military tents, fortress tents, and castle tents, manufactured of . . . gold-brocaded stuff embroidered with designs of elephants, wild beasts, horses, peacocks, birds."

Since 1600, Ottoman Turkish tents with elaborate floral decoration have been preserved in Istanbul in the Topkapi Palace Museum and Military Museum, and in European collections as war booty, primarily from the Ottoman Turks' attempt to conquer Vienna in 1683. These tents are not done in the Rasht technique, but rather are applique.

In contrast, royal tents from Iran are extremely rare. This spectacular ceremonial tent is embroidered with the name of its owner, Muhammad Shah, who ruled Iran from 1834 to 1848 during the Qajar dynasty. The radiant jewellike interior features exuberant flora, blossoming vines, and robust birds made with colored wool embellished with silk-thread embroidery.

Show lessRead more
Download this artwork (provided by The Cleveland Museum of Art).
Learn more about this artwork.
  • Title: Royal Round Tent Made for Muhammad Shah
  • Date Created: 1834-48
  • Physical Dimensions: Overall: 360 x 400 x 400.1 cm (141 3/4 x 157 1/2 x 157 1/2 in.)
  • Provenance: Mehdi Mahboubian [1921-2005], Oxfordshire, UK, (Sotheby's, London, sale 24 April 1991, lot 12), Private Collection, consigned to Francesca Galloway, Ltd., (Francesca Galloway, Ltd., London, UK, sold to the Cleveland Museum of Art), The Cleveland Museum of Art, Cleveland, OH
  • Type: Textile
  • Rights: CC0
  • External Link: https://clevelandart.org/art/2014.388
  • Medium: Interior: wool: plain weave, inlaid work; silk: embroidery, chain stitch; tape, leather Exterior: cotton, wool: plain weave; rope, iron ring
  • Inscriptions: Inscriptions: The central design unit of panel 2014.388.2 and 2014.388.4 has two embroidered inscriptions. 1. Upper inscription (center of the top blossom): "Muhammad shah sultan-e ghazi.", 2. Lower inscription (on the base of the vase): "Kamtarin bandeh-ye dargah fath'ali."
  • Department: Textiles
  • Culture: Iran, Rasht, Qajar period (1779-1925)
  • Credit Line: Purchase from the J. H. Wade Fund
  • Collection: T - Islamic
  • Accession Number: 2014.388
The Cleveland Museum of Art

Get the app

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

Interested in Performance?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Home
Discover
Play
Nearby
Favorites