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Saint Catherine

Master of the Holy Blood (Netherlandish)c. 1520

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Saint Catherine holds the sword with which she was martyred. This painting and another in the collection (1942.633.2) were originally the wings of an altarpiece flanking a central panel, now lost, that may have depicted the Holy Family. The identity of this artist is unknown, but he is named for a painting in the Chapel of the Holy Blood in Bruges.

Bruges flourished as an international commercial center through the 1400s and early 1500s. Among its residents were many foreign merchants and bankers who, along with the Burgundian court, patronized artists and attracted specialized craftsmen such as furriers, hatters, jewelers, and goldsmiths. Bruges’s artistic production in the 1400s included celebrated artists like Jan van Eyck, Petrus Christus, Hans Memling, and Gerard David who painted large altarpieces, small panels for private devotion, and portraits. Bruges also remained an important center for the production of illuminated manuscripts.

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  • Title: Saint Catherine
  • Creator: Master of the Holy Blood (Netherlandish)
  • Date Created: c. 1520
  • Physical Dimensions: Framed: 91 x 34.5 x 5.5 cm (35 13/16 x 13 9/16 x 2 3/16 in.); Unframed: 86.6 x 30 cm (34 1/8 x 11 13/16 in.)
  • Provenance: Claude Ashley Charles Ponsonby (1859-1935), London, England, (Sale: Christie's, London, March 28,1908 to Mori), James Hamet Dunn (1874-1956), St. Andrews, New Brunswick, Canada, [Bacri Brothers, Paris, France], John L. Severance (1863-1936), Cleveland, OH, gifted to the Cleveland Museum of Art, The Cleveland Museum of Art, Cleveland, OH
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1942.633.1
  • Medium: tempera on wood panel
  • Department: Medieval Art
  • Culture: Netherlands, Bruges, 16th century
  • Credit Line: Bequest of John L. Severance
  • Collection: MED - Renaissance
  • Accession Number: 1942.633.1
The Cleveland Museum of Art

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