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Saint Catherine of Alexandria

Carlo Crivelli1476

The National Gallery, London

The National Gallery, London
London, United Kingdom

This graceful, golden-haired princess is Saint Catherine of Alexandria, identifiable by her traditional attributes of a spiked wheel and martyr’s palm. She comes from the great polyptych (multi-panelled altarpiece) which Crivelli painted for the church of the Dominican Order in Ascoli Piceno in the Italian Marche. Catherine was beloved by the Dominicans as a martyr who defended the Christian faith against pagans and heretics.

Catherine stands on a marble shelf, rather like a statue. Crivelli has painted her wheel from an acute angle, showing off his skill with foreshortening – a way of distorting objects so that they seem to recede into the picture. Although she lived in the third century, Catherine’s overdress of red and gold figured silk is like those produced in medieval Italy. Her sleeves are decorated with golden pelicans and phoenixes, symbols of Christ’s sacrifice on the Cross and the Resurrection.

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  • Title: Saint Catherine of Alexandria
  • Creator: Carlo Crivelli
  • Date Created: 1476
  • Physical Dimensions: 137.5 x 40 cm
  • Medium: Tempera on poplar
  • School: Italian
  • More Info: Explore the National Gallery’s paintings online
  • Artist Dates: about 1430/5 - about 1494
  • Artist Biography: Crivelli was born in Venice and probably trained with Squarcione in Padua. He spent most of his life in the Marches (eastern central Italy), after periods in Venice and Zara. Crivelli was active as a painter by 1457 when he was condemned in Venice for adultery. He was very successful as a maker of altarpieces in the Marches. These are especially well represented in the Collection. Crivelli was influenced by the Vivarini at an early stage. From Squarcione, or one of his pupils such as Giorgio Schiavone, Crivelli could learn simulated marble architecture; festoons of fruit; parchment cartellini and music-making putti. Venetian painting up to this point had been dominated by the Late Gothic style, such as that of Jacopo Bellini and his son Gentile. Crivelli was a fine technical painter and his pictures are in a good state of preservation. He had a strong linear decorative sense and was a brilliant colourist. His work was particularly appreciated in the 19th century, as witnessed by the price paid for the Gallery's 'Madonna della Rondine'.
  • Acquisition Credit: Bought, 1868
The National Gallery, London

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