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Saint John the Baptist

Florentine 15th Century, probably after a model by Desiderio da Settignanoc. 1490

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

The popular Florentine subject of the young John the Baptist is here presented in a different conception from that of Antonio Rossellino's delicately beautiful marble bust. The difference is not only in the medium, painted terra cotta, which has retained much original coloring that contributes to an immediate naturalism. The sculptor of this bust also has given it a particular psychological intensity. The face is thinner; the features relatively individualized; and the gaze distant in a way that from some angles suggests inward concentration on his message, from others suggests focus on some faraway listener. The long, richly modeled and differentiated hair is at once elegant in its swirling waves and unruly in its loose wisps, suggesting passionate energy that is reiterated by the cloak sweeping across the chest to twist into a knot at one side. The open mouth implies the saint is already preaching.

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  • Title: Saint John the Baptist
  • Creator: Florentine 15th Century, probably after a model by Desiderio da Settignano
  • Date Created: c. 1490
  • Physical Dimensions: overall: 48.9 x 52.1 x 26 cm (19 1/4 x 20 1/2 x 10 1/4 in.)
  • Provenance: Possibly purchased 1846 in Italy by Eugène Piot [1812-1890], Paris.[1] Louis-Charles Timbal [1821-1880], Paris, by 1868;[2] purchased 1872 with the entire Timbal collection by Gustave Dreyfus [1837-1914], Paris;[3] his estate; purchased 1930 with the entire Dreyfus collection by (Duveen Brothers, Inc., London, New York, and Paris); purchased 15 December 1936 by The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[4] gift 1937 to NGA. [1] This information is given in the Duveen Brothers prospectus, in NGA curatorial files. A half-length terracotta bust of Saint John the Baptist with traces of color, the same height as the NGA sculpture, is listed as no. 83 in the Piot sale of 25-30 April 1864 at Hôtel Drouot. However, the description also says "the right arm and hand are placed against the chest," which does not match NGA 1937.1.130. [2] Charles Perkins, "Donatello," _Gazette des Beaux-Arts 25 (October 1868): 312. [3] The sculpture was lent by Dreyfus two years later to an 1874 exhibition in Paris. [4] The original Duveen Brothers invoice is in Gallery Archives, copy in NGA curatorial files; the sculpture is listed as by Donatello.
  • Medium: painted terracotta
National Gallery of Art, Washington DC

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