On striking blue prepared paper, this academic figure study is posed as Saint John the Baptist. Seen from below, suggesting that the model stood on a raised platform, the saint looms large and monumental. The artist Juan Conchillos Falco modeled his figure using the blue as a middle tone. Charcoal and white watercolor forcefully articulate the anatomical form of the saint, and convey his powerful presence. Saint John's musculature is dramatically portrayed in gritty black lines built up in bold succession. The summary treatment of the drapery, executed in broad, jagged strokes, gives the saint's clothing an abstract quality that reiterates the drawing's primary purpose as a study of the male body. On close examination, the charcoal's rough texture reflects glints of light, creating a seamless marriage between medium, technique, and subject.