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Saint Rose of Lima with Child Jesus

Anonymous Cusco Schoolca. 1680 - ca. 1700

MALI, Museo de Arte de Lima

MALI, Museo de Arte de Lima
Lima, Peru

Beatified in 1668 and canonized three years later, Saint Rose of Lima became one of the pillars of the vindications of the criollos. Her image rapidly passed to Cusco and was used as a symbol of shared identity by mestizos and natives. The different associations of the image of the saint did not obscure her devotion from being adopted by diverse social and ethnic groups. Perhaps because of this, in the late seventeenth century the Cusco workshops produced numerous images of the saint, such as this one, that repeats her usual iconography, which had by then been fixed. Rose appears with the Child Jesus in her arms, referring to her frequent mystical visions. Both are placed in a garden of Paradise of Flemish inspiration that seems to allude to a celestial setting rather than the saint’s family orchard.

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  • Title: Saint Rose of Lima with Child Jesus
  • Creator: Anonymous Cusco School
  • Creator Lifespan: 1680/1700
  • Date Created: ca. 1680 - ca. 1700
  • Physical Dimensions: w1250 x h1880 cm (Complete)
  • Type: Oil on canvas
  • Rights: Colección Museo de Arte de Lima. Donación Memoria Prado. Restaurado con el patrocinio de Southern Perú Copper Corporation
  • Título original: Santa Rosa de Lima con el Niño Jesús
  • Técnica: Óleo sobre tela
  • Texto curatorial: Beatificada en 1668 y canonizada tres años después, Santa Rosa de Lima llegó a ser uno de los pilares de los argumentos reivindicativos criollos. Su imagen rápidamente pasó al Cusco y fue empleada como símbolo de identidad compartida por indígenas y mestizos. Las diversas lecturas dadas a la imagen de la santa no impedían que su culto fuera asumido por diversos grupos sociales y étnicos. Quizá por este motivo, a fines del siglo XVII los talleres cusqueños produjeron numerosas efigies de la santa, como esta que repite su iconografía habitual, ya fijada por entonces. Rosa aparece con el Niño Jesús en brazos, en referencia a sus frecuentes visiones místicas. Ambos se emplazan en un jardín paradisiaco de inspiración flamenca, que parece aludir a un entorno celestial más que al huerto familiar de la santa. (RK)
MALI, Museo de Arte de Lima

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