San Carlo

In this work it is shown how much the artist can move away from the figurative, choosing to paint a simple wall, almost tiled with shadowy presences. However, in each of the exposed rectangles
or squares there is a variation that makes it unique compared to all others. A trace, an incision, a reflection that segments the darkness and contrasts with the reticular cage in which we seem prisoners. Thus, the intensity of Pizzi Cannella's painting prevails, drawing microcosms where there appeared to be only a dull surface. As happens to all the masters of chiselling, a background music seems to rise in the moment of representation, giving a grace to the just finished work.