Santa Maria Maddalena

In this late work by Bresciani da Gazoldo, the sensuality of the portrayed woman offers a modern interpretation of the character of Mary Magdalene. The very long hair that covers her breasts effectively create the model of the repentant sinner, who uses her ancient instruments of seduction to get closer to a figure that does not appear here, but which we can identify in Jesus Christ. The technique of Bresciani is marked by an almost photographic realism, tending to an expression that is the true focal point of the painter. The long, almost crooked hands seem to be consumed in a subdued and desperate prayer, while Magdalene's face tilts upward, enraptured by a sudden adherence to the word of God. Thus, the portrayed girl enters a timeless dimension that still strikes us with great effectiveness.