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Scenes of Witchcraft: Morning

Salvator Rosac. 1645–1649

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Rosa's first scene depicts a young witch who plunges her knife into a writhing amphibian at dawn. The dark clouds of daybreak and anthropomorphic crags provide a gloomy atmosphere, while malevolent birds with piercing beaks hover around the central stabbing, focusing the viewer's attention on the witch's vicious act. The only beautiful enchantress Rosa ever painted, her elegance and ability to transform men into animals evokes the goddess Circe. But Rosa wasn't interested in classical imagery; he inverted expectations by transforming Circe into an explicitly violent sorceress. Her calm expression makes the terrifying gesture of upraised human hands among the birds even more disturbing.

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  • Title: Scenes of Witchcraft: Morning
  • Creator: Salvator Rosa (Italian, 1615–1673)
  • Date Created: c. 1645–1649
  • Physical Dimensions: Framed: 76.2 x 9.6 cm (30 x 3 3/4 in.); Unframed: 54.5 cm (21 7/16 in.)
  • Provenance: Niccolini Family (Florence, Italy) by 1657, Private collection (Florence, Italy), Heim Gallery (London, England), sold to the Cleveland Museum of Art, 1977.
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1977.37.1
  • Medium: oil on canvas
  • Inscriptions: Signed: "SR [monogram]"
  • Fun Fact: The artist chose the painting's shape to reference the foundational role of the circle in practicing magic.
  • Department: European Painting and Sculpture
  • Culture: Italy, 17th century
  • Credit Line: Purchase from the J. H. Wade Fund
  • Collection: P - Italian 16th & 17th Century
  • Accession Number: 1977.37.1
The Cleveland Museum of Art

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