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Sculptor's Model of a Lioness

The Michael C. Carlos Museum at Emory University

The Michael C. Carlos Museum at Emory University
Atlanta, United States

The sculptor's model of a lioness captures the majestic presence of this great feline. Sculptors' models functioned as learning aids for apprentice craftsmen when natural observation was not possible. Plaster, clay and stone models of animals were found among the remains of ancient Egyptian sculptural workshops. This model shows the so-called "lost mold" process. The artist began by molding clay into the form of a lioness. Plaster paste was applied in thin layers over the clay model and molded while wet. Once hardened, the artist sprinkled water on the mold and lifted the plaster off the original. Details of the lioness' eyes and flame-like mane are painted black. Red pigment highlights her ear, mouth, and facial markings. Below her muzzle is a small round indentation outlined in pink. A number of superb leonine large-scale statues from Dynasty 30 bear similar markings on the neck and ears.

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  • Title: Sculptor's Model of a Lioness
  • Location: Africa, Egypt
  • Physical Dimensions: 7 1/2 x 6 in. (19.1 x 15.2 cm)
  • Provenance: Ex private collection, East Coast, United States. With Medusa Ancient Art, Montreal, Quebec/Champlain, New York. With Archeologica Gallery, early 1980s. Ex Splendors of the World, Santa Fe, New Mexico. Ex coll. Kenneth Falck, United States, purchased from Medusa Ancient Art, January 21, 2015.
  • Rights: © Michael C. Carlos Museum, Emory University. Photo by Bruce M. White
  • External Link: https://collections.carlos.emory.edu/objects/35343/
  • Medium: Stucco, pigment
  • Art Movement: Egyptian
  • Period/Style: Late Period, Dynasty 30
  • Dates: 380-343 BC
  • Classification: Ancient Egyptian Art
The Michael C. Carlos Museum at Emory University

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