The sculptor's model of a lioness captures the majestic presence of this great feline. Sculptors' models functioned as learning aids for apprentice craftsmen when natural observation was not possible. Plaster, clay and stone models of animals were found among the remains of ancient Egyptian sculptural workshops. This model shows the so-called "lost mold" process. The artist began by molding clay into the form of a lioness. Plaster paste was applied in thin layers over the clay model and molded while wet. Once hardened, the artist sprinkled water on the mold and lifted the plaster off the original. Details of the lioness' eyes and flame-like mane are painted black. Red pigment highlights her ear, mouth, and facial markings. Below her muzzle is a small round indentation outlined in pink. A number of superb leonine large-scale statues from Dynasty 30 bear similar markings on the neck and ears.