This highly refined sculpture by Michel Erhart, the leading sculptor in Ulm in the second half of the fifteenth century, invites close scrutiny. Carved fully in the round, it was likely made as an object for private devotion. The tilt of Mary’s head and her reflective expression give the group an elegiac quality, possibly in allusion to Christ’s future Passion. Mary’s throne of stones may also be a reference to Golgotha.