The calligrapher and craftsman Hon’ami Kōetsu frequently collaborated with Tawaraya Sōtatsu, a painter who ran a studio that produced fans and screens. Sōtatsu’s work featured abstracted and flattened shapes, fields of color and gold, and asymmetry. In particular, motifs that appeared in small scale, such as flora and fauna, in early decorated Japanese papers were painted in a larger scale—blown up as if seen under a magnifying glass. For this handscroll, Kōetsu brushed poems from the autumn section of a poetry anthology onto silk with a landscape of pines in gold and silver likely painted by Sōtatsu.