This drawing was presented by the young John Brack to his friend Ursula Hoff, who was the Keeper of Prints at the National Gallery of Victoria from 1949. The work is much softer than the paintings, drawings and prints for which Brack was soon to become renowned. Art historian Sasha Grishin explains that the young artist used a study Georges Seurat made for Une Baignade, Asnières, as a guide to his own materials and composition.
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