The monument is not actually by its original position in the collegiate church and has lost some coloured parts - even if you can see some traces of azurite in the protagonist's eyes. Recent studies have recognized in Porrina identity Bernardino Albertini, a famous medieval jurist, and linked the funeral monument to an epigraph, now lost, but transcribed in a paper manuscript of Boccaccio. Particulary intense is the physognomic portrait and the naturalistic handling of the marble in rendering the complexion of the charachter.