Shantytown

Composition in blue tones (predominant), gray, red, white and ochre. Rough texture, marked strokes and transparency effects. Fully geometrical shapes juxtaposed and superimposed. Occupying the whole area of ​​the composition slum representation can be distinguished from the geometrical construction six windows, there being a figure in each of five of these windows. In the upper half, faint diagonal line from upper on the left down almost to the middle of the on the right composition. This appears to delimit a hill or a slum, separating it from the other, which would be in the background.