Loading

Skeletons are pedaling bicycles. The bicycle race of skeletons has started. A skeleton with a silk hat is leading the race. In second place are skeletons with a feather hat and a hood respectively. The skeleton with an iron helmet has tumbled and fallen down. Following behind is a skeleton with a white beard, and at the end, a skeleton with a crown of fireworks is trying to catch up.
At the end of the 19th century, the invention of the bicycle led to a popularization of bicycle races, and Mexico's folk printer Posada also drew satirical prints, such as this "Skeleton Cyclists". Although they are omitted here since this work is a later print, the names of newspapers issued in those days in Mexico were written on each skeleton in the initial version. This was a time of upheaval, when revolution was about to break out, and the question in everyone's mind was "Who can give us a vision of the new Mexico?". While Díaz's dictatorial government was collapsing, newspapers supported by the different classes of society set forth argument against each other, and this was surely a matter of serious concern to the people of Mexico, Posada, as a spokesman of the masses, describes the situation of the newspaper "race" in the form of a bizarre and yet comical figures of skeletons.
(Source: Selected Works from the Collection of Nagoya City Art Museum, 1998, P. 47.)

Details

  • Title: Skelton Cyclists
  • Creator: José Guadalupe Posada
  • Date Created: 1889-1895 (1960's reprint)
  • Location: Mexico
  • Physical Dimensions: 28.0×43.4 cm
  • Provenance: Purchased in 1987
  • Type: Prints
  • Rights: Nagoya City Art Museum
  • Medium: Typography on paper

Get the app

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

Flash this QR Code to get the app

Interested in Visual arts?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Google apps