There is also another terracotta copy, made by Gargallo himself and repertoire.
This small and exuberant figure, with its delicious glimpse of tender hooves that we do not know if they will end up appearing complete or are actually transforming into human limbs, naturally reminds us of images of an always subjugating mythology, which Gargallo seemed to be interested in at many moments, but not It also fails to suggest to us, due to the opulence and intentional disproportion of some of its forms, clear antecedents derived from the prehistoric Venuses. It is evident that the sculptor is searching, halfway between the most primitive aspects of Mediterranean cultures and the symbolist inclinations still present, his own language, which is beginning to take shape and will soon be defined very precisely.