Constantly using the silhouette of the seaweed as a sign, the artist gives many variations that evoke graceful graceful curves of the female body or Brownian and tentacular movements of bacteria observed under the microscope during his medical studies. In certain engravings, the abstract figures become intertwined, compose or integrate maxims, fragments of poetry, litanies or prayers. Using the rice paper, she creates reliefs with a sense of balance between the surface, the volume and matter. The warm and warm colors enhance the written signs, giving the whole a vibration that recalls the kinetics of the arabesque.