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Sophie Crouzet

Louis Hersentc. 1801

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

The sitter's dress deliberately evokes ancient Roman costume. However, the white muslin and straightforward cut also derives from earlier English fashions that favored simplicity in contrast to the elaborate, colorful clothing favored earlier in the 1700s. The transparency of her dress also carries political and cultural meaning: during the French Revolution in 1789, costume began to signify political allegiance, a sign of the character of the person who wore it. For women, transparency became increasingly literal, as in the sheer fabric worn by Crouzet, who came from a family of active revolutionaries.

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  • Title: Sophie Crouzet
  • Creator: Louis Hersent (French, 1777–1860)
  • Date Created: c. 1801
  • Physical Dimensions: Framed: 101 x 85.5 x 12.5 cm (39 3/4 x 33 11/16 x 4 15/16 in.); Unframed: 81.2 x 65 cm (31 15/16 x 25 9/16 in.)
  • Provenance: Sophie Crouzet, retained by, until her death in 1844., By inheritance to her son Félix-Adolphe Crouzet., By inheritance to his daughter Sophie Crouzet, wife of Gustave-François Bourotte., By inheritance to their first-born son Eugène (d. 1899)., By inheritance to his brother Émile Bourotte, then by inheritance to his wife, Mme Joséphine Darte-Bourotte, Versailles., Sold to Wildenstein & Co., New York, probably in the early 1920s., Grace Rainey Rogers sale, Parke-Bernet Galleries, New York, 18 November 1943 (lot 51), as Jacques-Louis David, Citoyenne Crouzet., Purchased by the CMA in 1943.
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1943.659
  • Medium: oil on fabric
  • Fun Fact: Sophie Crouzet, the sitter in this portrait, is a first cousin of the artist.
  • Department: Modern European Painting and Sculpture
  • Culture: France, late 18th-early 19th century
  • Credit Line: Grace Rainey Rogers Fund
  • Collection: Mod Euro - Painting 1800-1960
  • Accession Number: 1943.659
The Cleveland Museum of Art

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