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Sophonisba Receiving the Cup of Poison

Giovanni Antonio Pellegrini1708 - 1713

The Toledo Museum of Art

The Toledo Museum of Art
Toledo, United States

With exuberant brushstrokes and a keen sense of energy and drama, Venetian painter Giovanni Antonio Pellegrini depicts the climactic moment in a tale of love, honor, and war. After Carthage (in modern Tunisia) falls to the great Roman general Scipio in 202 BCE, Carthaginian princess Sophonisba is taken captive by the Numidian prince and Roman ally Masinissa. When Sophinisba pleads with her captor not to place her “at the haughty and merciless disposal of any Roman,” Masinissa—overcome with love—immediately marries her.

When Scipio demands that Sophonisba be marched captive through the streets of Rome, Masinissa reluctantly sends a servant to his new bride with a message and a cup of poison. The message informs Sophonisba that her new husband is presenting her with a marriage gift that fulfills his promise to deliver her from her Roman enemies. Pellegrini shows Sophonisba having just dropped the crumpled message. Surrounded by distraught attendants, she holds the shell-shaped goblet of poison, either ready to drink it or having just done so. She gazes upward as she calmly accepts death over dishonor, a pose and demeanor that link her to images of martyred saints.

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  • Title: Sophonisba Receiving the Cup of Poison
  • Creator: Giovanni Antonio Pellegrini
  • Creator Lifespan: 1675 - 1741
  • Creator Nationality: Italian
  • Creator Gender: Male
  • Creator Death Place: Venice, Italy
  • Creator Birth Place: Venice, Italy
  • Date Created: 1708 - 1713
  • Physical Location: Toledo Museum of Art, Toledo, Ohio
  • Location Created: Europe, Venice, Italy
  • Physical Dimensions: 73 1/8 x 60 3/4 in. (185.7 x 154.3 cm)
  • Subject Keywords: interior scene; columns; man; woman; attendants; princess; Carthage; love; honor; honour; war; death; restoration; message; note; marriage; nuptial gift; Rococo; goblet; cup; robes; dress; second Punic war
  • Type: Painting
  • Rights: Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey, https://toledomuseum.org/collection/image-resources
  • External Link: Toledo Museum of Art
  • Medium: Oil on canvas
  • Fun Fact: Exuberant brushstrokes and a crisp, bright palette infuse this magnificent painting with energy and drama. Venetian painter Giovanni Antonio Pellegrini depicted the climactic moment in a tangled tale of love, honor, and war that culminates in the suicide of Carthaginian princess Sophonisba. The story, recounted by Roman historian Livy, takes place at the end of the Second Punic War (218-201 BCE). With the fall of Carthage to the great Roman general Scipio, Sophonisba and her husband Syphax, king of Numidia, are taken captive by Syphax's rival, Numidian prince Masinissa, who is allied with Rome. Overcome with love for Sophonisba and heeding her plea that he not place her "at the haughty and merciless disposal of any Roman," Masinissa immediately marries her. When Scipio still demands that Sophonisba be marched captive through the streets of Rome, Masinissa reluctantly sends a servant to his new bride with a message and a cup of poison. The message informs Sophonisba that her new husband is presenting her with a nuptial gift that fulfills his promise to deliver her from her Roman enemies. Pellegrini shows Sophonisba having just dropped the crumpled message, which floats to the floor. Surrounded by distraught attendants, she holds the gilt, shell-shaped goblet of poison, either ready to drink it or already having done so. She gazes upward as she calmly accepts death over dishonor and humiliation, a pose and demeanor that link her to images of martyred saints. Pellegrini likely painted this canvas during his first sojourn in England (1708-1713), where he brought a new Venetian elegance to English Rococo style. He painted four versions of this same subject, of which Toledo's is the largest and most important.
The Toledo Museum of Art

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