This painting, among the great pastoral compositions of the period, has always enjoyed the favour of critics. In addition to the luminous, enamelled quality of the paint application, the canvas is also innovative in composition, the protagonists being set back from the foreground and a neutral backdrop having been abandoned. The landscape in the background is not particularly defined, but is articulated so as to accentuate the circularity of the light that invades the scene. The depiction of the two young people is also remarkable: dressed in their best clothes, their portraits convey a sensitive and delicate empathy.