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Standing female figure (rhythm pounder)

19th–20th century

Dallas Museum of Art

Dallas Museum of Art

This tall female figure with short legs and feet sunk into a heavy cylindrical base is adorned with incised symbolic marks on her chest. Clusters of snail shells, cowrie shells, and red abrus seeds originally adorned her coiffure, upper arms, and abdomen. She represents an ideal adult female—someone who was married, a mother, and who was initiated into the women-only Sandogo society.


Pairs of rhythm pounders are used in funerary rituals that initiate male elders into the society of ancestral spirits. At the conclusion of the ritual, the corpse is carried to the cemetery. Each man carries a figure by its arms, neck, or shoulders. They swing the figures from side to side and periodically strike them against the ground in time with the music of the funeral orchestra, hence the popular name “rhythm pounder.” This action encourages the ancestral spirits to continue to participate in the funeral rites.


**Adapted from**

Roslyn A. Walker, Label text, Arts of Africa, 2015.

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  • Title: Standing female figure (rhythm pounder)
  • Date Created: 19th–20th century
  • Physical Dimensions: Overall: 36 3/8 x 8 1/4 x 6 in. (92.4 x 20.95 x 15.25 cm)
  • Type: Sculpture
  • External Link: https://www.dma.org/object/artwork/3101835/
  • Medium: Wood, cowrie shells, and red abrus seeds
  • culture: Senufo peoples
  • Credit Line: Dallas Museum of Art, The Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation in honor of Eugene McDermott

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