This panel probably shows part of two independent compositions, in upper and lower registers. The upper scene may represent parkland in the vicinity of Nineveh, the Assyrian capital, the kind of landscape created by Sennacherib (reigned 704-681 BC), Ashurbanipal's grandfather. Water is brought from the right, across an aqueduct, and distributed through several channels. Remains of the actual arches of Assyrian aqueducts are still visible in northern Iraq. The pavilion, with its elaborate columns, is a type of architecture that was probably introduced from Syria. Within the gardens is an Assyrian stela, similar to a stela of Ashurnasirpal II now in The British Museum. The three rows in the lower register show soldiers from Iran, possibly the area known as Elam, to the south-east of Mesopotamia. While Elamites are usually shown as enemies of the Assyrians, here they do not appear to be under attack or defeated. There were warring factions in Elam, and whichever of them was losing seems to have looked to Assyria for support. Iranian soldiers also served in the Assyrian army. This then, is probably an expedition on which the Assyrians posed as liberators, in order to gain military and/or political advantage.
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