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Studies of horses

Leonardo da Vincic.1480-81

Royal Collection Trust, UK

Royal Collection Trust, UK
London, United Kingdom

A study of a horse rearing to the right, with the head thrown up and mouth open; above this, a study of the hind-quarters and part of the belly of a horse, in profile to the right, with the near leg bent. Melzi's number 111. This drawing is probably a study for Leonardo’s unfinished painting of the Adoration of the Magi, now in the Uffizi, Florence. For the crowded composition Leonardo made many drawings of animals: oxen, asses, horses, and even a camel. The profile presentation of this horse, with its muscular neck and flowing mane, suggests the inspiration of a Roman relief, though no sculptural source available to Leonardo in Florence has been identified. Horses rearing and bucking are seen in the background of the Adoration of the Magi, both the painting and a perspectival drawing also in the Uffizi, and though none is in this profile pose, the agitated, febrile atmosphere of the drawing must connect it with the later of the two Adorations. See also RCIN 912308, 912324, 912325, 912362. Text adapted from Leonardo da Vinci: A life in drawing, London, 2018

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  • Title: Studies of horses
  • Creator: Leonardo da Vinci
  • Date Created: c.1480-81
  • Physical Dimensions: 11.4 x 19.6 cm
  • Provenance: Bequeathed to Francesco Melzi; from whose heirs purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 14th Earl of Arundel, by 1630; probably acquired by Charles II; Royal Collection by 1690
  • Type: Drawing
  • Rights: Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019
  • External Link: Royal Collection Trust website
  • Medium: Metalpoint on cream prepared paper
Royal Collection Trust, UK

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