Study For A Machine Heart

In recent years Athier Mousawi’s work has centred on posing unanswerable questions against undefined answers, forming a visual narrative between the two. Since 2007, the subject of much of his work has been Iraq and his diasporic relationship to his foreign homeland, as well as the concept of nostalgic referencing in how we idolise and remember our past, present, and future. Of the main constructs used in Athier's painting, the initial response is that of scale and colour, which guide the viewer through his multidimensional compositions. Symbolism in these large-scale paintings is weaved through layers of fluid figurative forms and hard edge geometric shapes.