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Study for "Seaweed Gatherers, Yport"

Émile Schuffeneckerc. 1888

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Claude-Emile Schuffenecker worked closely with Paul Gauguin to form Synthetism, a style of art that broke from Impressionism in favor of flat planes of bold color and invented subjects. This drawing is a study for one of Schuffenecker’s most important works, <em>Seaweed Gatherers, Yport</em>, which exists in two versions, one of which belongs to the Cleveland Museum of Art. The other version of the drawing (owned by the Art Institute of Chicago) was featured in an influential 1889 exhibition organized by Gauguin and Schuffenecker at the Café Volpini on the grounds of the Universal Exposition. Both artists saw imagery of seaweed gatherers—a task undertaken by working class people in rural French coastal towns—as exemplifying the simplicity they sought in their art.

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  • Title: Study for "Seaweed Gatherers, Yport"
  • Creator: Claude-Emile Schuffenecker (French, 1851-1934)
  • Date Created: c. 1888
  • Physical Dimensions: Sheet: 47.6 x 31.3 cm (18 3/4 x 12 5/16 in.)
  • Provenance: Jeanne Schuffenecker, Paris, Jacques Fouquet, Paris, Private Collection, New York, (Abbatoir Gallery, Cleveland, OH, sold to the Cleveland Museum of Art), Cleveland Museum of Art, Cleveland, OH
  • Type: Drawing
  • Rights: CC0
  • External Link: https://clevelandart.org/art/2020.289
  • Medium: black chalk on laid paper
  • Inscriptions: Signed, at lower right, in black ink, with artist’s stamp (not in Lugt); watermark: ED&Cie. [inside cartouche] (Emile Desloye)
  • Fun Fact: Claude-Emile Schuffenecker met Paul Gauguin while the two were working at the same Parisian stockbrokerage. They both abandoned their jobs to become professional artists following a market crash in 1882.
  • Department: Drawings
  • Culture: France, 19th century
  • Credit Line: Elizabeth Carroll Shearer Fund
  • Collection: DR - French
  • Accession Number: 2020.289
The Cleveland Museum of Art

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