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Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)

Michelangelo1510–11

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Universally considered one of the greatest artists of the Italian Renaissance, Michelangelo devoted four years to painting the vast ceiling fresco in the Sistine Chapel. This preparatory study portrays one of the 20 athletic male nudes, known as ignudi, who serve as supporting figures at each corner of the Old Testament scenes painted down the center of the ceiling. Michelangelo worked out the positioning of the ignudi in red chalk drawings before beginning to paint each section of wet plaster. The energy and monumentality of the figure in red chalk, whose body extends beyond the sheet, suggests the heroic athleticism of Michelangelo’s sculpture.

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  • Title: Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
  • Creator: Michelangelo Buonarroti (Italian, 1475–1564)
  • Date Created: 1510–11
  • Physical Dimensions: Sheet: 34.3 x 24.3 cm (13 1/2 x 9 9/16 in.); Secondary Support: 34.4 x 24.4 cm (13 9/16 x 9 5/8 in.)
  • Provenance: Pierre Crozat, Paris (L. 3612), his sale 1741, Pierre Jean Mariette (L. 1852), Paris, his sale 1775-76, lot 236, Bürckel family, Vienna, Dr. Alexander de Frey, Temesvar, Romania, his sale, 1933, lot 7 (as school of Michelangelo), with Wildenstein & Co., New York, purchased by Henry G. Dalton (1862-1939), Cleveland, by descent to his nephews George S. and Harry D. Kendrick, Cleveland, The Cleveland Museum of Art, Cleveland, OH
  • Type: Drawing
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1940.465
  • Medium: red chalk over black chalk or charcoal
  • Inscriptions: recto: lower right, in brown ink: 55 [crossed out] verso: upper center, in brown ink: [Jr?]; upper right, in brown ink: V./.
  • Fun Fact: When Michelangelo ran out of room for the figure's left foot, he turned the paper over and drew the foot in detail along with three additional sketches of the big toe.
  • Department: Drawings
  • Culture: Italy, 16th century
  • Credit Line: Gift in memory of Henry G. Dalton by his nephews George S. Kendrick and Harry D. Kendrick
  • Collection: DR - Italian
  • Accession Number: 1940.465
The Cleveland Museum of Art

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