"Susan Silton: Inside Out" enveloped the entire Museum, modeled after fumigation tents commonly seen in the Los Angeles landscape. As exterior indicators of an infestation spreading beneath and the presumed remedy for containing it, striped fumigation tents allude to one of the stripe’s alleged historical functions as a marker for otherness, and by wrapping the building, the artist signaled her intent to infiltrate—structurally as well as metaphorically—the edifice contained within.