A stylised figural composition done in white pigment in the ochre background, with the author’s inscriptions in interspaces. Along the length of the painting, vertically, three anthropomorphic figures with elongated limbs (upper limbs raised), the head in profile and en face, and reduced physiognomy produce kind of interaction; between them in the middle to the left and right are symbols of the Sun and Moon. In proportional, balanced and often symmetrical compositions of Rosen Rashev, plain, abstracted, non-perspective, non-materialized, potentially infinite space predominates thus accentuating ultimately stylised, condensed, often slightly indicated shapes, reduced to the mere idea of form. Their generalization creates specific effect of non-conventional aesthetics, and grotesque, thus coming closer to the experiences of outsider art (I. Jovanović).