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Terminus, the Device of Erasmus

Hans Holbein the Youngerc. 1532

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

In the spirit of the Italian Renaissance, Erasmus of Rotterdam (c. 1466–1536), the celebrated Dutch humanist and scholar, embraced ancient Greek and Roman literature and incorporated much of its moral and ethical messages into his own work. Holbein here conflates Erasmus’s features with Terminus, the Roman god of boundaries, who defied Jupiter by maintaining his position atop Capitoline Hill. Erasmus adopted Terminus, along with the motto <em>concedo nulli </em>(I concede to no one), as a personal symbol for devotion and steadfastness.

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  • Title: Terminus, the Device of Erasmus
  • Creator: Hans Holbein the Younger (German, active England and Switzerland, 1497/98–1543)
  • Date Created: c. 1532
  • Physical Dimensions: Framed: 32.4 x 32.4 x 4.5 cm (12 3/4 x 12 3/4 x 1 3/4 in.); Unframed: 21.6 x 21.6 cm (8 1/2 x 8 1/2 in.)
  • Provenance: Charlotte Frank (London, England), Dr. and Mrs. Sherman Lee, by gift to the Cleveland Museum of Art, 1971., The Cleveland Museum of Art, Cleveland, OH
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1971.166
  • Medium: oil on wood
  • Inscriptions: Inscribed in the middle: "CONCEDO NVLLI. [lower right: TERMI / NVS"
  • Department: European Painting and Sculpture
  • Culture: Germany, 16th century
  • Credit Line: Gift of Dr. and Mrs. Sherman E. Lee in memory of Milton S. Fox
  • Collection: P - German before 1800
  • Accession Number: 1971.166
The Cleveland Museum of Art

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