The Adoration of the Cage Fighters

The scene is Tim’s great-grandmother’s front room. The infant Tim reaches for his mother’s smartphone – his rival for her attention. She is dressed up, ready for a night out with her four friends, who have perhaps already ‘been on the pre-lash’. Two ‘Mixed Martial Arts’ enthusiasts present icons of tribal identity to the infant: a Sunderland A.F.C. football shirt and a miner’s lamp. In the manner of early Christian painting, Tim appears a second time in the work: on the stairs, as a four-year-old, facing another evening alone in front of a screen. Although this series of images
developed very organically, with little consistent method, the religious reference was here from the start: I hear the echo of paintings such as Andrea Mantegna’s The Adoration of the Shepherds (c. 1450).

Text courtesy of the artist.