The Adoration of the Magi

Although the original reference to the wise men, or magi, in the Gospel of Matthew is minimal, churchmen eventually elevated them to the status of kings, gave them names -- Balthasar, Caspar, and Melchior -- and invested their gifts of gold, frankincense, and myrrh with specific meanings. The royal status and foreign origins of the three travelers inspired medieval and Renaissance artists, who gave free reign to their imaginations in treating the colorful subject.

Juan de Flandes (John of Flanders) took the opportunity to paint a fanciful scene replete with opulent costumes, gleaming gold and jewels, and varied racial types. All wear exotic headgear and carry ornate vessels containing their gifts. Visible in the distance, on horseback, are several smaller figures, members of the kings' retinue.

Although there are numerous references to this presumably northern painter in the records of his Spanish patrons, nothing is known of his early years. His reputation as an artist derives entirely from the works he produced in Spain, where he served as court painter to Queen Isabella until her death in 1504. Later, he painted this panel and its three companion pieces, also in the National Gallery; together, they once formed part of a large altarpiece in the Church of San Lázaro in Palencia.