Physical Dimensions: overall: 90.8 x 110.5 cm (35 3/4 x 43 1/2 in.)
Provenance: Cardinal Joseph Fesch [1763-1839], Rome; (his sale, Palazzo Ricci, Rome, 17 March 1845 and days following, no. 874). Claudius Tarral, Paris; (Tarral sale, Christie & Manson, London, 11 June 1847, no. 55); purchased by (Banting) for Thomas Wentworth Beaumont [d. 1848], Bretton Hall, Yorkshire, England; by inheritance to his son, Wentworth Blackett Beaumont, 1st baron Allendale [1829-1907], Bretton Hall; by inheritance to his son, Wentworth Canning Blackett Beaumont, 1st viscount and 2nd baron Allendale [1860-1923], Bretton Hall; by inheritance to his son, Wentworth Henry Canning Beaumont, 2nd viscount and 3rd baron Allendale [1890-1956], Bretton Hall;[1] sold August 1937 to (Duveen Brothers, Inc., London, New York, and Paris);[2] sold 1938 to the Samuel H. Kress Foundation, New York;[3] gift 1939 to NGA.
[1] Provenance according to Kress records in NGA curatorial files.
[2] The painting is listed in the Duveen Brothers General Stock Book for the period 1 June 1937 to April 1941, and is annotated "Purchased Aug. 3, 1937" (copy in NGA curatorial files; Duveen Brothers Records, Accession No. 960015, Getty Research Institute, Los Angeles: reel 66, box 186). See also the letter of 4 March 1965 from Ellis Waterhouse to Fern Rusk Shapley, in NGA curatorial files.
[3] Letter, 21 June 1938, Duveen Brothers, Inc., to Samuel Kress (Duveen Brothers Records, Accession No. 960015, Getty Research Institute, Los Angeles: reel 329, box 474, folder 5; copy in NGA curatorial files). See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/2049.