The paintings that William Merritt Chase made when teaching at the Shinnecock Hills Summer School of Art are inevitably associated with Gilded Age leisure, even more so as nineteenth-century Shingle Style architecture, which appears in some of those works, has become the signature of fin-de-twentieth-siècle trophy beach houses. Chase, who knew the importance of keeping current with prevailing tastes in artistic as well as social circles, has here made the house, a perquisite of his seasonal teaching position, a key element in the painting and transformed a prosaic depiction of his three daughters in the sandy scrub of the Shinnecock Hills into pictorial gold.