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The Breadth and Flatness of the Frontal Bone

Odilon Redon1896

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Odilon Redon was a voracious reader of contemporary literature, and such texts often influenced his art. This series was inspired by <em>The Haunted and the Haunters,</em> an 1859 novel by British writer Edward Bulwer-Lytton. Redon’s prints capture the book’s mysterious tone and emphasis on the supernatural through vague but evocative imagery that sometimes borders on abstraction. By this time a seasoned expert in lithography, the artist collaborated with master printer Auguste Clot. Their combined technical skills allowed for the rich tonal variation seen here, made by turning Redon’s lithographic crayon on its side, layering various marks, and even scratching directly into the surface of his stone.

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  • Title: The Breadth and Flatness of the Frontal Bone
  • Creator: Odilon Redon (French, 1840–1916), Auguste Clot (French, 1858–1936)
  • Date Created: 1896
  • Physical Dimensions: Image: 14 x 9 cm (5 1/2 x 3 9/16 in.); Sheet: 44.9 x 31.5 cm (17 11/16 x 12 3/8 in.)
  • Provenance: (Allan Frumkin Gallery, Chicago, sold to the Print Club of Cleveland, Cleveland, OH), The Print Club of Cleveland, Cleveland, OH, given to the Cleveland Museum of Art, Cleveland, OH, The Cleveland Museum of Art, Cleveland, OH
  • Type: Print
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1966.413.7
  • Medium: lithograph on China paper laid on wove paper
  • State of work: I/I
  • Inscriptions: printed at lower left, below image: la largeur de l'aplatissement de l'os frontal.....
  • Fun Fact: One of Redon's greatest patrons, the occultist René Philipon, commissioned this portfolio as a supplement for his French translation of Bulwer-Lytton's <em>The Haunted and the Haunters.</em>
  • Edition of Work: edition of 60
  • Department: Prints
  • Culture: France, late 19th Century
  • Credit Line: Gift of The Print Club of Cleveland
  • Collection: PR - Lithograph
  • Accession Number: 1966.413.7
The Cleveland Museum of Art

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