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The Consultation

David Teniers the Youngerc. 1660

Brukenthal National Museum

Brukenthal National Museum
Sibiu, Romania

Signed D. Teniers, The Consultation leads us into the chamber of a dispenser, with overtones of an alchemical laboratory. The artist treats the poorly appointed surroundings (perceived as mysterious and esoteric by the characters) with gentle indulgence and good humoured irony in the representation of the elaborate procedures and paper work necessary for a simple urine test. The clarity of the artistic means and intention of the painter finds its perfect embodiment in the recreation of the tension of the moment. The patient, an ignorant woman, is waiting for the verdict of the dispenser, in unwitting contraposition to the apprentice hidden behind the half-open door, while the ambers in the fireplace spread a mysterious glow. The entire scene is treated in various tones of grey and in harmonies of beige. The woman in blue makes a figure apart within the compositional and chromatic structure of the painting and, evidently, she was introduced by Teniers to provide a contrast to her odd surroundings. ©Dana Roxana Hrib, European Art Gallery Guidebook, Second edition, Sibiu 2011.

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  • Title: The Consultation
  • Creator: David Teniers The Younger
  • Creator Lifespan: 1610 - 1690
  • Creator Nationality: Flemish
  • Creator Gender: Male
  • Creator Death Place: Brussels
  • Creator Birth Place: Antwerp
  • Date: c. 1660
  • Physical Dimensions: w38 x h29 cm (Without frame)
  • Photo copyright: ©Christof Weber
  • Collecting: Brukenthal National Museum, Sibiu, Romania
  • Artist Biography: The most famous of the sons of the painter David Teniers the Elder, David Teniers the Younger was born in Antwerp and made a name for himself even before he was admitted to the Guild of Saint Luke (1632). In a life that spanned eight decades, he gave proof of a remarkable creative power and an unusual ease in painting, so that Smith’s Catalogue Raisonne now lists over 900 paintings that were recognized as his original work. A significant number of these paintings were called generically Afternoon, as a reference to the short time it took him to finish the painting. He was elected Master of the Guild of Painters of Antwerp in 1644 and later became the official painter and keeper of the collection of paintings of Archduke Leopold Wilhelm. Among his favourite subjects were witches’ covens and peasants drinking, feasting, dancing and singing. ©Dana Roxana Hrib, European Art Gallery Guidebook, Second edition, Sibiu 2011.
  • Provenance: Brukenthal National Museum
  • Type: painting
  • Medium: oil on wood
Brukenthal National Museum

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