The County Election features a crowded Missouri street on Election Day, 1846, when artist George Caleb Bingham himself ran for office. Although it was meant to represent the democratic values of American politics, a closer look at the painting reveals not an equal democracy, but an unequal and unstable society.

On the left side of the painting, an African American man who is likely a slave pours an alcoholic drink for a jolly, inebriated man. The slave’s presence contrasts the voting scene on the right hand side, reminding viewers that not all men hold the same rights. Enslaved and free blacks, along with women, did not have the right to vote at this time.


  • Title: The County Election
  • Date: 1854
  • Physical Dimensions: w86.4 x h68.6 cm (sheet)
  • Type: Print
  • External Link: MFAH
  • Medium: Mezzotint and line engraving with original hand-coloring
  • Printed by: James Irwin
  • Engraver: John Sartain
  • Credit Line: The Museum of Fine Arts, Houston, The Bayou Bend Collection, museum purchase funded by Mike Lucas and Lorne Bain in honor of their baby granddaughter Georgia Clair Williams at "One Great Night in November, 2000"
  • After: George Caleb Bingham

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