Loading

The Crucifixion of Saint Andrew

Caravaggio1606–7

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Saint Andrew’s efforts to introduce Christianity to Greece in the first century CE were met with hostility from local authorities. He was sentenced to die on the cross because he refused to acknowledge pagan gods. For two days, Andrew preached from his martyr’s station to an increasingly sympathetic crowd. Bowing to public demand, Andrew’s would-be executioners attempted to untie him, but their hands were mysteriously paralyzed. Andrew’s desire for martyrdom was thus fulfilled and he died enveloped in divine light. Caravaggio’s innovative interpretation involves the viewer more closely in the event by presenting the crucifixion as intimate and private, rather than as a gruesome public spectacle. Bold contrasts of light and dark suggest the presence of God. A masterpiece of Baroque painting, Caravaggio’s <em>Crucifixion of Saint Andrew</em> is the only altarpiece by the artist in America.

Show lessRead more
Download this artwork (provided by The Cleveland Museum of Art).
Learn more about this artwork.
  • Title: The Crucifixion of Saint Andrew
  • Creator: Caravaggio (Italian, 1571–1610)
  • Date Created: 1606–7
  • Physical Dimensions: Framed: 233.5 x 184 x 12 cm (91 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 202.5 x 152.7 cm (79 3/4 x 60 1/8 in.)
  • Provenance: Don Juan Alonso Pimentel y Herrera, Eighth Conde de Benavente, Spanish viceroy in Naples from 1603 until July 1610, Don Juan Francisco Alonso Pimentel y Ponce de Léon (grandson of above, inherited) Tenth Conde de Benavente, Valladolid, An unidentified convent in Castilla, Spain, A. Tors, Madrid, José Manuel Arnaiz, Madrid, 1973.
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1976.2
  • Medium: oil on canvas
  • Fun Fact: Although Saint Andrew is typically associated with an X-shaped cross, here he is depicted on a standard vertical cross.
  • Department: European Painting and Sculpture
  • Culture: Italy, Naples
  • Credit Line: Leonard C. Hanna, Jr. Fund
  • Collection: P - Italian 16th & 17th Century
  • Accession Number: 1976.2
The Cleveland Museum of Art

Get the app

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

Home
Discover
Play
Nearby
Favorites